I was going to write this up as a sort of parody of Eric’s Police review but on re-inspection his post doesn’t really give me anything sufficiently ridiculous to work with. Anyway. I went to see George Michael give the 100th concert of his 25 Live tour. Fantastic show.

The concert really emphasized that “blue-eyed soul”* works a lot better when delivered by a good voice. Michaels sounds great: his voice has a little extra rasp added to its youthful smoothness, but his intonation is good and he delivers a lot of tone over most of the register. “The first time ever I saw your face” got a really gorgeous reading in style that was sort of a tasteful version of the American Idol melisma-fest. By the time he sang the hell out of “Roxanne” I think he was just showing off. We also got to hear some of the big hits: “Father Figure,” “Faith,” and “Careless Whisper” as the first encore.

This gives you an idea of the stage set-up: a huge LED screen that curved from the back to the floor of the stage, then disappeared off the front. This was put to good effect with a combination of artsy screen-saver sorts of visuals mixed with images from Michaels’ career from Wham! to the present. Big screens on the sides of the stage were sometimes synced, at other times just gave a blown-up view of the stage.

The band was on three-tiered risers on either side of the main screen. I counted about fourteen people total: several guitars, bass, a kit drummer, an extra percussionist, keyboards, and some background singers. As you’d expect: tight. They did a nice job with the usual band sounds but also managed to recreate club grooves nicely. The whole production pays a lot of attention to craft– it felt a little like a traveling Vegas show– which by my lights is a good thing.

*Let’s have a loooooong discussion of whether that’s racist.