I recently re-watched Do the Right Thing and found the ending a little shocking. No, not the violent part – which has, sadly, only become more familiar in the quarter century since 1989 – but the actual last scene.
The morning after the movie’s climax, the camera shifts up and away from the street while in voiceover we hear the storefront DJ, Mister Señor Love Daddy (Samuel L. Jackson). He has served throughout the film as a kind of Greek chorus and now he’s the last voice we hear, after the assault and the murder and the burning of Sal’s, and he says … “Register to vote. The election is coming up.”
Which struck me, in 2015, as awfully anemic. Is that really the conclusion we’re meant to draw, after all that heat, after repeated invocations of Martin Luther King, Jr., and Malcolm X? Register and vote?
I wondered if maybe Jackson’s performance had thrown me off and made me expect more of Love Daddy than I should have. After all, Jackson’s real talent is for the veneer of geniality over the threat of violence (see Jules or, in a different register, Nick Fury) – for conveying hidden weight, in the manner of a lead-filled sap with a polished leather finish.
But those roles came later. Maybe Mister Señor Love Daddy is supposed to be a bit of a buffoon. After all, during the climax of the movie, the camera catches him in his window, and his response to the police turning firehoses on his neighbors is to yell and … change his hat. Maybe we’re supposed to see him as impotent, inept – the kind of guy who would, on reflection, respond to brutality by delivering the Polonian advice, “Register to vote.”
Or maybe Spike Lee meant it seriously. There’s evidence he does, or did. On the twentieth anniversary Blu-ray, you’ll find an interview in which Spike Lee mentions he wrote and filmed Do the Right Thing in the midst of Ed Koch’s administration – but now, he says, everything’s different.
Those were heady days, 2009, to be sure, when maybe elections could fill you with hope and change. But: enough to, in retrospect, justify that flat-footed ending? “Vote”? After a movie that began with Public Enemy urging, “Fight the Power!”, and whose first line of dialogue had Love Daddy himself shouting, “Wake up!”?